INHABITING THE PRESENT (6/11)

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Of course, try to create a dialectical and visual dialogue with its predecessor, which encourages these other views, with the need to re-examine from that other perspective, and knowing that this is what its definitions are.In the work process, we can see, the use of situations, texts and images, modifying and recontextualizing, various elements to build new readings, to provoke distortions in the story, and thus generate counter-discourses.

Through logics of work such as filing and appropriation, since the images have an owner, in this case the one that pastes the posters in the lampposts, in order to raise questions that directly appeal to the construction of history and production of the speech. Hybridizing, the relationship between contexts and processes, between society and action.Likewise, without forgetting the critical nature of reality, the relationships that occur in specific places and the political tensions that occur in everyday contexts when rethinking art, after knowing these different forms of planning. As the interest, to review and tense the idea of what is possible, what can be or what could have been.

Written by NANO