David Bowie IV

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New project Bowie’s Diamond Dogs brought about the end of his glam rock phase. This album is the result of the fascination of the novel in 1984 and was followed by another change in the social atmosphere, the dark tone of hopelessness and fear. Great influence on him had the writer William Burroughs, with whom he discussed the Bowie creative process. It was known to the art for its fragmentativnoj narration, derived from collage floor-up methods, which are mainly used by the visual artists and Dada nadrealizma in the creation of their works. Bowie began to use this technique in their writing songs for album DD would not shaken the musical and lyrical expectations. These songs are evocative but ambiguous značenja.collag. Kat-up and fragmentation is used when creating the cover for DD album, which was hired by Belgian artist Gi Palert. Pack shows Bowie as a bizarre mix of man and beast, like a sphinx, as a model series were used photographs taken by Terry O’Neill. Palert cover is painted as an image of circus freak. What makes the DD is also known masterfully guided to promote the project, something that Bowie had learned while working in an advertising agency. It was conducted in two stages: the first involved the sale of the album and accompanying memorabilia and other promotion tour itself. For Bowie the seventies were fruitful, but also turbulent. 1979 objaviviši Lodger puts an end to this decade and turned to new, ready to make their experiment turned into a new sound. The album Scary Monsters (and Super Creeps) and the song “Ashes to Ashes” was a sort of “purification” of all that is left in the outgoing decade, a sort of epitaph, he said. The song itself is introspective, with a lot of details that can be connected to Bowie’s earlier career and his views on everything done by then, returning to the character Major Tom from “Space Oddity”. He gives the new role of “junkies”, ie. cosmonaut as a junkie who had a crazy trip. However, although this poem itself bouvijevski quality, what sets it apart and why it is actually important video that accompanied her. Bowie is once again anticipated trends in music and realized the importance of video as a visual medium that will be able to express and promote their works. Video for this song personally designed and directed by him helped David Malet. For his capture was spent around 250 000 pounds, and has long been one of the most expensive spots. The narration in the video is nonlinear, with three unrelated stories that alternate. Bowie is in them punch (in costume who created Nataša Korniof), a prisoner in “a mad cell” and Major Tom on life support. Due to the effects of solarization, which was used in the video, the sky looks black, and pink earth, which reinforces the impression of an apocalyptic alien environment. In the video appear and “Blitz kids,” a group of young people who are responsible for making fresh subculture of the new romanticism, the direction of which is inspired by Bowie’s just work. Video is full of hidden details and was subjected to various analyzes. For the Bowie on the view that it was, as it follows and what awaits him in the future. which reinforces the impression of an apocalyptic alien environment. In the video appear and “Blitz kids,” a group of young people who are responsible for making fresh subculture of the new romanticism, the direction of which is inspired by Bowie’s just work. Video is full of hidden details and was subjected to various analyzes. For the Bowie on the view that it was, as it follows and what awaits him in the future. which reinforces the impression of an apocalyptic alien environment. In the video appear and “Blitz kids,” a group of young people who are responsible for making fresh subculture of the new romanticism, the direction of which is inspired by Bowie’s just work. Video is full of hidden details and was subjected to various analyzes. For the Bowie on the view that it was, as it follows and what awaits him in the future.