David Bowie III

Ziggy Stardust is one of the most revolutionary projects of Bowie made a rock star. In the center of the project is alien messiah figure, which is carefully created Bowie recognizable image, and later performance on tour. Sam Bowie changes its appearance quitting androgynous style and first changing hairstyle. Shisha his blond curls and hair painted in red giving us one of the most recognizable hairstyles of the time, which recalls the wigs worn in kabuki plays. The inspiration for Zigijev appearance found in fashion magazines, in particular Aleksa Tseitlin photographs depicting models Kanašija Japanese designer Yamamoto. An album cover also showed a change of direction for Bowie. Instead feminine poses and androgynous looks Zigi was photographed in a remote working-class London alley, holding a guitar like a gun, looked like a soldier in a guard in an entirely masculine position, the boots worn by the “United” in Hell’s oranges. This cover, which was photographed by Brian Ward, made in black and white, colors he later added artist Teri Baster creating more darker and nadrealniji scene this space samurai. Although his hairstyle throughout the tour remains the same, the costumes have evolved rapidly becoming avant-garde as Bowie became popular. The first suits were not overly stylized. They were created at home, composed of various leathers and designs that have fallen under his arm. The success that has created this project allowed him to wear a specially designed piece of clothing designers Freddie Buretija and Natasa Korniof. After the release of the album Aladdin Sane Bowie has managed to establish cooperation with the very Yamamoto. These costumes Bowie himself has said that “all I wanted to be and more. Inspired by the kabuki theater and the samurai, they were outrageous, provocative and accident hot under the lights of the stage. ” Great attention was paid to makeup, which I initially caused by applying the knowledge gained at Lindsay Kemp. Like the costumes and makeup is becoming increasingly complex and demanding, and toward the end of the tour Bowie took more than two hours before it is applied to performance. However, after his makeup artist Pierre la Rose drew the trademark lightning bolt for cover AS, Bowie was hired to accompany him to the rest of the tour. which I initially caused by applying the knowledge gained at Lindsay Kemp. Like the costumes and makeup is becoming increasingly complex and demanding, and toward the end of the tour Bowie took more than two hours before it is applied to performance. However, after his makeup artist Pierre la Rose drew the trademark lightning bolt for cover AS, Bowie was hired to accompany him to the rest of the tour. which I initially caused by applying the knowledge gained at Lindsay Kemp. Like the costumes and makeup is becoming increasingly complex and demanding, and toward the end of the tour Bowie took more than two hours before it is applied to performance. However, after his makeup artist Pierre la Rose drew the trademark lightning bolt for cover AS, Bowie was hired to accompany him to the rest of the tour.